"Heist" |
Written by: Paul Stark |
parole
form
A
standard Request For Parole form.
A
hand, clenching a rubber stamp, comes crashing down on the form. When the stamp is lifted, "DENIED"
is printed across the text in fresh red ink.
cut TO:
int.
Jail hall - momENTS LATER
A
jail GUARD closes the jail cell door behind a PRISONER. A SALESMAN in the near background pushes a
small cart, selling cigarettes from cell to cell.
jail cell
Only
the back of the PRISONER's head is visible as he looks out at the guard.
guard
(locking the door)
Too
bad boss... Maybe next time.
The
guard pulls his key out of the lock then checks the door to make sure it's
locked. He glances at the salesman who
is now approaching.
The
guard strolls off.
Salesman
(to the prisoner)
Cigarettes?
prisoner
What've
you got?
SALESMAN
Camels? Rothchilds?
Salems?
tray
A
cell phone sits on the tray among the cigarettes.
prISONER
What's
with the phone?
jail hall
The
salesman leans closer and whispers something inaudible to the prisoner.
The
prisoner is silent for a moment.
prISONER
(CONT'D)
I'll
take it.
dISSOLVE TO:
int.
hotel room - DAY
Floor
schematics for First National Bank, schedules, and city and provincial street
maps are spread out on the bed.
BILL,
a young man dressed in an open dress shirt and casual pants, is having a heated
discussion on the phone. He has a five o'clock shadow and his shirt is
wrinkled.
bill
You
bail on me now, you get nothing... I don't care. That's the whole job... no... NO. You don't get a percentage... YOU DON'T GET A PERCENTAGE!
Bill
slams the phone.
BILL
(CONT'D)
(livid)
SHIT!
He
paces anxiously for a moment, then makes a call.
biLL
(CONT'D)
Tony. It's me.
Reg is out... I don't know. Doesn't matter; we don't need him. You OK to drive?...
As
Bill listens, his arms drop to his sides while he throws his head back in
frustration, silently cursing the air.
BilL
(CONT'D)
What
is with you guys? Tony. It's two million dollars. Alright?
You're just driving the car for God's sake. And what about our agreement?... I thought so. Listen, your share just went up since Reg
bailed on us... So you're in?...
Good. Then lets get moving. We're running out of time.
(looking at his watch)
I'll
meet you in one hour. Don't be late.
Bill
hangs up.
He
grabs his suitcase and opens it up on the bed.
He
takes all documents out of the suitcase, and puts them in a knapsack sitting on
the floor at the foot of the bed.
He
assembles all the documents scattered on the bed into one pile and places them,
too, in the knapsack.
He
walks over to the closet and pulls out a suit, which he lays out on the bed.
The
room phone rings. Bill answers.
BILL
(CONT'D)
Yeah?
voice
(v.O.)
You're
making a mistake.
Bill
freezes. He stands silently for a
moment and is uncharacteristically still.
vOICE
(CONT'D)
Hello?
BILL
Who
is this?
VOICE
(V.O.)
Never
mind. Just listen... Don't rob the bank. It's a mistake.
BILL
(adamant, angry)
Who
is this?!
VOICE
(V.O.)
That
won't work with me, Bill. I know you
too well.
bILL
Stay
out of my business!
Bill
hangs up, looking at the phone in disbelief.
He
looks desperately at the suitcase, then back to the phone. Standing perfectly still now, he stares
nervously at the phone, waiting, anticipating.
The
phone rings again. Bill is startled.
He
watches as the phone rings a second time.
He answers.
bILL
(CONT'D)
What!
vOICE
(V.O.)
You're
desperate right now. I know what you're
thinking. It's all wrong. You have to look past it.
Bill
tries to suppress his anxiety, but is only moderately successful at keeping a
cool, controlled tone.
bILL
Okay. Whoever you are, you have the wrong
number. Now, if you'll please stop
calling; I have dinner arrangements.
Bill
is about to hang up the phone.
VOICE
(V.O.)
(desperately)
You're
about to kill someone!
Bill
freezes.
voiCE
(CONT'D)
...Bill?
...Bill! ...Listen to me. Look at the
signs. Tony's car stalling. The wet floor. The pregnant teller. What
follows doesn't have to happen.
Bill
is still motionless, curious.
voicE
(CONT'D)
Don't
ignore what is right in front of your face.
It's wrong. You've justified it
all in your head but it's wrong. Listen
to your conscience - there's a voice of truth you're--
Bill
hangs up. His body goes limp as his
hand rests on the receiver and he leans against the dresser for support.
Then,
in a powerful outburst, he simultaneously bellows in anger as he rigorously
shoves the phone off the dresser.
He
walks decisively to the suitcase and closes it.
He
sets it on the floor.
cut TO:
ExT.
Street - DAY
Car
pulls up to the curb on a city street.
Bill
comes out of the car, clean shaven and sporting his suit, dark shades, and a
visor. He walks over to the back of the
car, opens the trunk, and pulls out his briefcase.
As
he is closing the trunk, the car engine stops.
Bill
walks over to the driver side where TONY is sitting with the window rolled
down.
bILL
What
are you doing?
Tony
looks at Bill helplessly.
bill
(CONT'D)
Keep
it running. You won't have time to play
around with it when I come out.
tony
(nervously)
Right.
bILL
Do
we need to go over anything?
TONY
(fiddling with the keys in the ignition)
Uh. No.
It's pretty straightforward.
biLL
Good.
As
Bill starts walking toward the bank, he double-taps the hood of the car for
good luck. Meanwhile, Tony tries to
start the car, but the engine keeps turning over.
Bill
reaches the sidewalk before he acknowledges the car isn't starting.
He
walks back to the passenger-side window as Tony continues his attempts to start
the car.
bILL
(CONT'D)
What
the hell is going on?
tONY
I
don't know. It must be flooded.
Bill
stares pensively at the hood of the car.
He stares for a long time as the engine continues to turn over and over.
While
his stare remains fixed, he speaks with a silent rage.
BILL
Stop.
Tony
didn't hear Bill over the sound of the struggling engine. He continues trying to start the car.
Bill
bursts spontaneously into momentary rage.
bILL
(CONT'D)
(yelling)
STOP!
Tony
is startled and stops immediately.
bill
(CONT'D)
(suppressing his rage)
...Leave
it alone for a minute.
Bill
still stares blankly at the hood for another moment, then walks to the
driver-side door, puts his briefcase down, and opens the door.
bILL
(CONT'D)
Get
out.
Tony
gets out of the car.
Bill
sits down, leaving his left leg extended to the street. He massages his eyebrows with his thumb and
forefinger as he sighs.
BILL
(CONT'D)
(to himself)
How
can this be?
After
a moment, he tries the ignition. The
engine turns over a couple of times then finally starts.
Bill
stares pensively forward as he shakes his head.
CuT TO:
inT.
baNK - MOMENTS LATER
A
WOMAN,holding a coffee, is about to exit the bank from the main doors.
Before
she can open the door, Bill enters abruptly, briefcase in hand, unintentionally
causing the woman to drop her coffee.
bILL
(pausing)
Excuse
me.
Bill
rudely continues into the bank as the woman, distraught and astonished, watches
him walk away.
woman
(looking for words)
Excuse
me? ...What is your problem?...
The
woman checks herself to see if any coffee was spilled on her, then shakes her
head as she looks at the mess on the floor.
woMAN
(CONT'D)
(disheartened, mumbling to herself)
Damn
kids. No manners anymore...
A
bank security officer arrives to assist.
bank line up
Bill
stands in line, massaging his eyebrows with his thumb and forefinger. There are two people in front of him.
As
the person at the front of the line walks to one of the available tellers, Bill
opens his briefcase and pulls out a withdrawal slip. On the back it reads: "This is a hold up. Keep quiet or I will shoot you."
Bill's
upper back and shoulder muscles become stiff.
He's at the front of the line now, and he turns to glance toward the
main door.
main door
The
security officer is directing people to watch the spill on the floor.
bank line up
Bill
notices one of the tellers finishing up with a customer. He cautiously walks toward her station.
As
he steps up to the counter, the TELLER, a very pregnant woman, is counting
money.
teLLER
I'll
be with you in just a moment sir.
Bill
places the deposit slip on the counter, the "hold-up" message face
down. He leaves his hand on the slip.
He
looks up at the security cameras; some are still while others are panning back
and forth. He observes the employees
going about their business.
teLLER
(CONT'D)
Ouch!
The
teller is suddenly wincing from pain and stops counting. She places her hand on her abdomen.
Bill
is suddenly aware that she is pregnant.
He watches, bewildered.
A
SECOND TELLER checks up on her.
teller
2
You
okay?
teLLER
Ooh... Yeah.
(laughing)
This
one's a feisty one.
Bill
fidgets irritably.
bILL
(to himself)
How
is this possible?
He
glances nervously at his watch, then turns to look toward the main entrance.
main door
A
janitor is mopping up the floor. A
large bucket with wheels is next to him, and a "Wet Floor" sign is
placed next to the spill.
TELLER STATION
The
words from the phone call echo in Bill's head:
"Tony's car stalling. The
wet floor..."
He
turns and looks again, bewildered, at the teller's large abdomen. The teller has resumed her counting.
A
surreal symphony of sounds echoes in Bill's head: "What follows doesn't have to happen..." A woman's scream. A baby crying. Voices of
fear and distress. The confusion of
sounds continues as his eyes move erratically.
Among
the confusion of sounds is a woman's voice echoing the words "Can I help
you?"
At
first, the voice is blended quite seamlessly with all the other sounds; but as
the sounds begin to fade, the woman's voice becomes more dominant until
suddenly, it is the only sound that can be heard.
woman's
vOICE (v.O.)
Excuse
me sir.
Bill
becomes aware he is staring at the mopping janitor.
teLLER
Excuse
me. Sir.
Bill
turns around to see the teller waiting impatiently for him.
tellER
(CONT'D)
Can
I help you?
Bill
looks down at the withdrawal slip under his hand.
biLL
I
was...
He
picks up the withdrawal slip.
biLL
(CONT'D)
...I
was going to make a deposit, but I just realized I forgot my wallet.
Bill
puts the slip in his pocket and walks away.
exT.
street - dAY
Bill
is still dazed. His cell phone
rings. He answers.
The
voice on the phone is the same as the voice from the caller at the hotel.
voIce
(v.O.)
It's
me again.
Bill
is stunned.
cut TO:
jail
Slowly
reveal prisoner. It's old Bill.
Old
bill
That
feeling that you have right now-- That
sense of relief-- Remember it. Don't ever make the mistake of ignoring you
conscience again.
The
image of Old Bill slowly fades until he disappears.
The
jail cell is empty.
cUT TO:
street
Bill
is perplexed.
He
is holding the phone in front of his face, staring incredulously at it.
Dropping
his arm to his side, he bows his head in shame.
After
several moments, he lifts his head to look at the people around him. He watches them as they pass around him,
carrying on with their daily lives.
He
slowly begins to walk, eventually reaching the general pace of the other
pedestrians and blending in with them.
the end